Simeon Solomon Research Archive
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  • Secondary Sources
    • Literature by Solomon
    • Sources: Pre-1873>
      • Sources 1858-1872
    • Sources: Post-1873>
      • Sources 1873-1905
      • Sources 1906-1959
      • Sources 1960-1989
      • Sources 1990-1999
      • Sources 2000-2006
      • Sources 2007-Present
  • Artwork Databases
    • Pre-1873 Artwork>
      • Artwork Juvenelia 1854-1855
      • Artwork 1856-1860
      • Artwork 1861-1865
      • Artwork 1866-1870
      • Artwork 1871-1872
    • Post-1873 Artwork>
      • Artwork 1873-1877
      • Artwork 1878-1880
      • Artwork 1881-1885
      • Artwork 1886-1890
      • Artwork 1891-1895
      • Artwork 1896-1900
      • Artwork 1901-1905
    • Undated Work
    • Exhibition History 1858-1872
    • Exhibition History 1873-1905
    • Posthumous Exhibitions
  • Databases/Writing
    • Documents Online
    • Simeon Solomon Biography
    • Dalziels' Bible Gallery
    • Abraham Solomon's Portrait of Wellington
  • Rebecca and Abraham
    • Rebecca>
      • Rebecca Solomon Biography
      • RS Artwork
      • RS Secondary Sources
      • RS Exhibition History
    • Abraham>
      • AS Artwork
      • AS Exhibition History

Simeon Solomon: Artwork Database 1866-1870

Click on thumbnail to access a larger image.
Click on LINK to go to the relevant image webpage.
Please note that this database is a work in progress and not all images are currently available.

1866: Marguerite

Private Collection

1866: Heliogabalus, High Priest of the Sun

Watercolour on paper
Private Collection

1866: Damon and Aglae

Oil
Private Collection

1866: The Circumcision

Picture
Wood engraving
"Illustrations of Jewish Customs." Leisure Hour, v. 15 (1866), 73, 168, 217, 329, 377, 476, 540, 604, 653, 823. Includes ten wood engravings by Butterworth and Heath, originally published as a collection of photographs (1862).
Image courtesy of University of Aberystwyth
© U of A

1866: The Day of Atonement

Picture
Wood engraving
Ref as above
Image courtesy of University of Aberystwyth
© U of A

1866: Eve of the Jewish Sabbath

Picture
Wood engraving
Ref as above
Image courtesy of the University of Aberytwyth
© U of A

1866: The Fast of Jerusalem

Picture
Wood engraving
Ref as above
Image courtesy of the University of Aberystwyth
© U of A

1866: The Feast of Dedication

Picture
Wood engraving
Ref as above
Image courtesy of the University of Aberytwyth
© U of A

1866: The Feast of Tabernacles

Picture
Wood engraving
Ref as above
Image courtesy of the University of Aberystwyth
© U of A

1866: The Passover

Picture
Wood engraviing
Ref as above
Image courtesy of the University of Aberystwyth
© U of A

1866: The Reading of the Laws

Picture
Wood engraving
ref as above
Image courtesy of the University of Aberystwyth
© U of A

1866: The Wedding

Picture
Wood engraving
Ref as above
Image courtesy of the University of Aberystwyth
© U of A

1866: Study for a Prelude to Bach

Private Collection

1866: Study for 'In the Summer Twilight'

Coloured chalks and pencil
Private Collection

1866: Love in Autumn

Oil
Private Collection

1866: Love in Autumn

Watercolour sketch of 1866 oil painting above
Private Collection

1867: Bacchus

Oil on paper laid on canvas
503x375mm
Image courtesy of Birmingham Museums and Art Gallery - LINK
Picture
© BMAG

1867: The Sleepers and the One that Watcheth

Photographic print of original drawing
Image courtesy of Birmingham Museums and Art Gallery - LINK
Picture
© BMAG

1867: Roman Lady with a Votive Urn

Private Collection

1867: Bacchus

Watercolour on paper
Private Collection

1867: Carrying the Scrolls of the Law

Watercolour with bodycolour with varnish on paper
357x255mm
Whitworth Art Gallery, University of Manchester - LINK

1867: The Little Improvisatrice

Pencil, pen and ink on paper
247x355mm
Private Collection - LINK

1867: The Greek High Priest

Private collection

1867: Rosa Mystica

Oil on canvas 20"x15"
Location unknown
Private Collection, later stolen, location now unknown. Click here for more information.

1867/8: A Saint of the Eastern Church

Formerly called A Greek Acolyte
Watercolour, bodycolour and gum on paper
Image courtesy of Birmingham Museums and Art Gallery - LINK
Picture
© BMAG

1868: Portrait of a Young Girl or Boy

Drawing
British Museum - LINK

1868: Hooded Figure

Drawing
Shepherd and Derom Galleries - LINK

1868: A Prelude by Bach

Private collection - LINK to image

1868: Illustration to the Song of Solomon

Picture
Pencil and conte on paper
Image courtesy of the Hugh Lane Gallery, Dublin
© Hugh Lane

1868: The Bride, the Bridegroom, and the Friend of the Bridegroom

Photographic print of original drawing
Image courtesy of Birmingham Museums and Art Gallery - LINK
Picture
© BMAG

1868: Study for Sacramentum Amoris

Photographic print of original watercolour
British Museum - LINK

1868: Love Bound and Wounded

Photographic print of original drawing
Private collection

1868: Illustration to the Song of Solomon

Pencil and conté on paper
Hugh Lane Gallery, Dublin - LINK

1868: Marriage of Isaac and Rebecca

Frederick Hollyer photograph
Private Collection

1868: Untitled

Picture
Image courtesy of Beinecke Rare Book and Manuscript Library, Yale University
© Beinecke


c. 1869/72: We Part For Ever

Pen and ink on paper
Caricature drawing in an undated letter from Solomon to Henry Holiday
Private Collection

1869: Portrait of an Italian Youth

Picture
Watercolour
Image courtesy of University of Aberystwyth

1869: The Toilette of a Roman Lady

Oil
44 x 38 1/4 in. (111.8 x 97.2 cm)
Image courtesy of Delaware Art Museum, Wilmington, US - LINK
Picture

1869: In the Summer Twilight

Watercolour on Paper
Private Collection

1869: Until the Day Break and the Shadows Flee Away

Pencil and black chalk with bodycolour and red chalk
British Museum - LINK

1869: Queen Esther Hearing the News of the Intended Massacre of the Jews

Brown and black ink on paper
Private collection

c.1870: Rabbi Carrying the Torah

Watercolour
Private collection - LINK

1870: Labour, Content, Ailleurs, Theoria: Bookplate for Oscar Browning

Picture
Wood engraving by Swain
Image courtesy of Cooper Hay Rare Books


1870: Love Bound and Wounded

Picture
Watercolour
Location unknown
Image from Julia Ford's Simeon Solomon: An Appreciation (1908)

1870: The Sleepers and the One that Watcheth

Watercolour
Art Gallery & Museum, The Royal Pump Rooms, Warwick District Council

c.1870: One Watching in the Night

Watercolour and Pen and Ink on Paper
Private collection - LINK

1870: The Singing of Love

Pencil and red crayon on paper
Image courtesy of Birmingham Museums and Art Gallery - LINK
Picture

1870: The Mystery of Faith

Watercolour on paper
Lady Lever Art Gallery, Liverpool

1870: The Evening Hymn

Oil on canvas
Private collection

1870: A Youth Relating Tales to Ladies

Oil on canvas
355 x 534 mm
Tate Britain - LINK

Home

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Acknowledgements
Citing this Site
Website History
Update Archive
Web Resources

Secondary Sources

Sources 1858-1872
Sources 1873-1905
Sources 1906-1959
Sources 1960-1989
Sources 1990-1999
Sources 2000-2006
Sources 2007-present

Artwork Databases

Pre-1873 Artwork
Post-1873 Artwork
Undated Work
Exhibition History 1858-1872
Exhibition History 1873-1905
Posthumous Exhibitions

Databases/Writing

Documents Online
Simeon Solomon biography
Dalziels' Bible Gallery
A. Solomon's Portrait of Wellington


Abraham/Rebecca

Rebecca Solomon Biography
RS Artwork
RS Secondary Sources
RS Exhibition History
Abraham Solomon Artwork
AS Exhibition History

This web site was created by Carolyn Conroy and Roberto C. Ferrari, and is therefore copyrighted by law. All digital images were reproduced with the permission of the owners; distribution rights for these works rests with the individuals who own the original work of art. All secondary source material reproduced here is protected by copyright with the author or publisher of the original source. The only exception to this rule are the items made available that are in the public domain. The rules of fair use apply if you wish to use any information from this site for non-profit educational purposes.

If you have any questions, please contact us.                                                                                                              Simeon Solomon Research Archive ©2000 - 2013