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Abraham Solomon: Artwork Database
Click on thumbnail to access a larger image.
Click on LINK to go to the relevant image webpage.
Please note that this database is a work in progress and not all images are currently available.
Click on LINK to go to the relevant image webpage.
Please note that this database is a work in progress and not all images are currently available.
1840: A Rabbi Expounding the Scriptures
c.1841: Study for a Man with a Fan
c.1841: Nude Study for Man with a Fan
c.1841: Simeon Solomon as a Baby
Oil on canvas
Private collection
Private collection
1842: The Acolyte
1844: The Duke of Wellington
- Oil on canvas, 52.5 x 47.5 cm
- Collection: English Heritage, Walmer Castle, Kent.
- LINK to the BBC's Your Paintings website.
To read more about this painting and its associated daguerreotype and engraving (below) read Roberto Ferrari's article which can be found under the Databases/Writing tab or click HERE
1852: The Duke of Wellington
An engraving by John Sartain of Solomon's painting of the Duke of Wellington (above) and a daguerreotype by Antoine Claudet, from The Eclectic Magazine, Nov 1852.
c.1845: Self Portrait
Oil on canvas
c. 1845-50: Conversation Piece
© BMAG
1846: Portrait of Countess Eugenie
1848: A Ballroom in the Year 1760
Engraving from Illustrated London News, 20 May 1848, p327
Oil on canvas - Guildhall Art Gallery, London - LINK
Oil on canvas - Guildhall Art Gallery, London - LINK
c.1848: Two Figures [aka The Minuet]
Black, red and white chalks on green paper
1849: Portrait of Jenny Lind
Oil on canvas
Private collection
Private collection
1849:An Academy for Instruction in the Discipline of the Fan 1711
Engraving from Illustrated London News, 26 May 1849.
Print/Study Drawing for Instruction in the Discipline of the Fan 1711
1850: The New Hat
1850: Too Truthful
Oil
1851: An Awkward Position (Goldsmith at White Conduit House)
Engraving from Illustrated London News, 14 June 1851
Oil in private collection
Oil in private collection
1852: The Town and Country Belle
1852: The Grissette
Engraving from Illustrated London News, 5 June 1852, p452
Oil
Oil
1853: 'Spectator' Brunetta Overwhelms Phillis [aka Phillis and Brunetta]
Oil
1854: La Toilette
Oil and engraving
1854: The Scandal
Oil and engraving
1854: The Lady Lettice
Oil and engraving
1854: The Bashful Lover
Oil and engraving
c. 1853-54: First Class - the Meeting
Oil on canvas
Private collection
Private collection
c. 1853-54: Second Class - the Parting
Oil on canvas
Private collection
Private collection
Recto Study for 'First Class - the Meeting'
Verso Study for 'First Class - the Meeting'
1854: Portrait of Margeurite Bourgoigne
1854: First Class- the Meeting... and at First Meeting Loved
1855: First Class - the Meeting (Revised Edition)
© National Rail Museum
Oil on canvas
Image courtesy of the National Railway Museum, York
Also Southampton City Art Gallery - LINK
Also Yale Center for British Art - LINK
Image courtesy of the National Railway Museum, York
Also Southampton City Art Gallery - LINK
Also Yale Center for British Art - LINK
1855: Second Class - the Parting "Thus Part we Rich in Sorrow"
© National Rail Museum
Oil on canvas
Image courtesy of the National Railway Museum, York
Also Southampton City Art Gallery - LINK
Also National Gallery of Australia, Canberra - LINK
Image courtesy of the National Railway Museum, York
Also Southampton City Art Gallery - LINK
Also National Gallery of Australia, Canberra - LINK
1855: A Contrast
Engraving from Illustrated London News, 30 June 1855, p666
Oil
Oil
c. 1855: Portrait of a Woman
White and red chalk on paper
1856: The Timid Suitor
1856: The Bride
Engraving
Oil on Board - LINK
Oil on canvas, Croydon Art Collection - LINK
Engraving below from Illustrated London News, 10 May 1856, p509
Oil on Board - LINK
Oil on canvas, Croydon Art Collection - LINK
Engraving below from Illustrated London News, 10 May 1856, p509
1856: The Vicar of Wakefield
Oil on canvas
1856: A Doubtful Fortune [Her Future in the Cards]
Oil on canvas
Private collection
Private collection
1857: Waiting for the Verdict
1858: The Lion in Love
1858: The Flight from Lucknow
1859: Not Guilty (The Aquittal)
1859: A Study
Engraving from Illustrated London News, 26 Nov 1859.
c. 1860: Brighton Front, East Sussex
1860: Art Critics in Brittany
1860: Drowned, Drowned!
1861: La Malade Imaginaire
1862: Backstage at the Theatre Royal
1862: The Departure of a Diligence, Biarritz
1862: A Bretonne Peasant Girl
Oil on canvas
1862: By the Seaside
Oil on board
Private collection
Private collection
1862: The Lost Found
Oil on canvas
Private collection
Private collection
1862: The Fair Amateur
Seats for Five Persons
Young Woman Spinning Wool
n.d. The Lesson in the Use of the Fan
Fortune Telling
Portrait of a Young Girl with a Rose
n.d. Sterne and Grissette
n.d.: Physicians Disputing While the Patient Suffers
n.d.: The Unwilling Patient
n.d.: The Artist Abroad
Private collection - LINK
n.d.: Drawing
n.d.: Portrait of a Lady with a Letter
n.d.: A Portrait of Two Girls with their Governess
Oil on canvas
Private collection
Private collection
n.d.: The Sixth Age
Oil on canvas
Full title: The Sixth Age Shifts Into Lean And Slippered Pantaloon With Spectacles On Nose And Pouch On Side His Youthful Hose Well Saved, A World Too Wide For His Shrunk; And His Manly Voice Turning Again Towards Childish Treble, Pipes And Whistles In His Sound'
Private collection
Full title: The Sixth Age Shifts Into Lean And Slippered Pantaloon With Spectacles On Nose And Pouch On Side His Youthful Hose Well Saved, A World Too Wide For His Shrunk; And His Manly Voice Turning Again Towards Childish Treble, Pipes And Whistles In His Sound'
Private collection
