DATE |
LOCATION |
WORK SHOWN |
March 1840 |
Suffolk Street, Society of British Artists, London |
no. 9 Rabbi Expounding the Scriptures |
1840 |
Liverpool Academy |
no. 342 Study of a Head no. 360. She Never told her Love no. 445. Portrait of the Rev. D. M. Isaacs |
1841 |
Liverpool Academy |
no. 74. "One with her auburn tresses slightly bound, and fair brows gently drooping as the fruit nods from the tree, was slumbering with soft breath, and lips apart, which showed the pearls beneath." |
3 May 1841 |
Royal Academy |
no. 88 My Grandmother no. 1164 "It would seem that nurse Schoolbred's applications were now so far successful, that Catherine's senses were..." Fair Maid of Perth |
1842 |
Liverpool Academy |
no. 344 The Billet Doux |
March 1842 |
Society of British Artists, London |
no. 190 The Stratagem Discovered no. 426 "One with her auburn tresses lightly bound,/And fair brows gently drooping as the fruit/Nods from the tree, was slumbering with soft breath/And lips aprt, which showed the pearls beneath." |
2 May 1842 |
Royal Academy |
no. 1022 Scene from the Vicar of Wakefield |
1843 |
Liverpool Academy |
no. 286 "The Sixth age shifts Into the lean and slippered pantaloon; With Spectacles on nose, and pouch on side; His youthful hose well saved, a world too wide For his shrunk shank, and his big manly voice, Turning again towards childish treble, pipes And whistles in his sound." |
March 1843 |
Society of British Artists, London |
no. 254 Scene from the Devil from Two Stocks no. 337 The Billet-Doux |
1 May 1843 |
Royal Academy |
no. 125 "On Widow fair and staid He fixed his eye, but he was much afraid; Yet wooed, while she his hair of silver hue Demurely notice, and her eye withdrew." Vide Crabbe's Parish Register |
1844 |
Liverpool Academy |
no. 107 The Officious Servant no. 111 The Tear |
6 May 1844 |
Royal Academy |
no. 10 "The Sabbath service o'er, through shady lanes With intermingled trees and shrubs embowered Their way they took. With truth and eloquence from Love derived, his tender suit he urged, And of the future such a picture drew Of happiness, by mutual love insured, As in the maid a chord responsive woke". no. 255 Portrait of a Lady |
5 May 1845 |
Royal Academy |
no. 502 “‘Then by heaven,’ answered Julian ‘I will watch his arrival in this island, and in this house; and, ere he has locked thee in his arms, he shall answer to me on the subject of my suit.’ “‘Then demand that answer now,’ said a voice from without the door, which was at the same time slowly opened—‘Demand that answer now; for here stands Ralph Bridgenorth.’”—Peveril of the Peak. |
Feb 1846 |
British Institution, London |
no. 428 The Farmer's Daughter |
4 May 1846 |
Royal Academy |
no. 670 The Breakfast Table "The Stratagem of Youth often outwits the experience of age." |
Feb 1847 |
British Institution, London |
no. 103 A Study from the Hotel Invalides, Paris no. 272 A French Study no. 281 La Tristesse |
3 May 1847 |
Royal Academy |
no. 606 Portrait of Robert Manning, Esq. no. 746 The Vicar of Wakefield, when prepared for church on the first Sundayafter his loss of fortune, reproving his wife and daughters for appearing in their usual finery |
1 May 1848 |
Royal Academy |
no. 1249 A ball-room in the year 1760 “Now let the youth to whose superior place It first belongs the splendid ball to grace, With humble bow and ready hand, prepare Forth from the crowd to lead his chosen fair; The fair shall not his kind request deny, But to the pleasing toil with equal ardour fly.” |
7 May 1849 |
Royal Academy |
no. 497 Academy for Instruction in the Discipline of the Fan |
6 May 1850 |
Royal Academy |
no. 525 Too Truthful “So very like a painter drew, That every eye the picture knew: He hit complexion, feature, air, So just, the life itself was there; He gave each muscle all its strength, The mouth, the chin, the nose’s length, His honest pencil touched with truth, And marked the date of age and youth. He lost his friends, his practice failed; Truth should not always be revealed.”—Gay. |
8 Feb 1851 |
British Institution, London |
no. 28 Scandal no. 403 La Petite Dieppoise |
5 May 1851 |
Royal Academy |
no. 817 An Awkward Position (from Oliver Goldsmith) |
3 May 1852 |
Royal Academy |
no. 618 The Grisette "In a few minutes the Grisette came in with her box of lace..." |
2 May 1853 |
Royal Academy |
no. 470 Brunetta and Phillis (from Spectator no. 80) |
1 May 1854 |
Royal Academy |
no. 314 First class,--the meeting. “And at first meeting loved.” no. 361, Second class—the parting. “Thus part we rich in sorrow, Parting poor.” |
7 May 1855 |
Royal Academy |
no. 355 A Contrast "Will fortune never come with both hands full?" |
1855 |
Liverpool Academy |
no. 183 An Awkward Position |
1856 |
Liverpool Academy |
no. 240 The Fan "Mr Spectator,- Women are armed with fans as men with swords, and sometimes do more execution with them. To the end, therefore, that ladies may be entire mistresses of the weapon which they bear. I have erected an academy for the training up of young women in the exercise of the fan, according to the most fashionable airs and motions that are now practised at court." Vide, Spectator, no 10. |
5 May 1856 |
Royal Academy |
no. 486 The Bride “We may not know, While life endures, whose lot is joy, whose woe, Whose is the sunlight, whose shall be the shade.” no. 533, Doubtful fortune “We know we’re cheated, yet would fain believe.” |
1857 |
Liverpool Academy |
no. 193 Waiting for the Verdict (wins £100 prize) |
4 May 1857 |
Royal Academy |
no. 562 Waiting for the Verdict |
1858 |
Liverpool Society of Fine Arts |
no. 706 The Flight |
3 May 1858 |
Royal Academy |
no. 228 The Flight no. 454 “In silks and satins new, and hoop of monstrous size…”—Goldsmith no. 558, “The lion in love.”—Old Proverb |
1859 |
Liverpool Academy |
no. 498 A Study |
2 May 1859 |
Royal Academy |
no. 243. “Ici on Rase”—Brittany no. 293, The fox and the grapes no. 557, “Not Guilty.” Companion picture to Waiting for the Verdict exh. 1857 |
Nov 1859 |
Gambart’s French Gallery 7th Annual Winter Exhibition |
no. 139 Study |
7 May 1860 |
Royal Academy |
no. 478 Drowned! Drowned! |
1860 |
Liverpool Society of Fine Arts |
no. 433 Drown'd! Drown'd" "the gods are just, and of our pleasant vices make whips to scourge us." |
11 Feb 1861 |
British Institution, London |
no. 20 Art Critics in Brittany |
6 May 1861 |
Royal Academy |
no. 108 Consolation no. 464 La Malade Imaginaire |
1861 |
Liverpool Society of Fine Arts |
no. 383 Consolation |
1 May 1862 |
International Exhibition of Art and Industry, South Kensington |
3 works shown |
5 May 1862 |
Royal Academy |
no. 471 The Lost Found “Thou hast turned for me my mourning into dancing:…”—Psalm xxxii |
POSTHUMOUS |
||
1864 |
Liverpool Institute of Fine Arts |
no. 259 The Spinning Girl no. 338 The Box Girl |
1897 |
Victorian Era Exhibition, Earl's Court, London |
no. 316 Waiting for the Verdict Lent by C. J. Lucas Esq. no. 323 The Acquittal Lent by C. J. Lucas Esq. |
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