Simeon Solomon Research Archive
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      • AS Artwork 1840s
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      • 1854-1855 First Class & Second Class

Rebecca Solomon: Exhibition History 1850-1885

DATE
LOCATION
WORK SHOWN
February
1850
British Institution
copy of old master painting: title unknown
22 March
1851
 Society of British Artists (Suffolk St)
no. 254 Teach me thy ways, O Lord-Psalms

  February
1852
British Institution
no. 370 The Morning Call ​
 3 May
1852
Royal Academy
no. 1055 Portrait of A. Solomon, Esq. ​
October
1852
Royal Institution ​
no. 77 The Young Model ​
 5 February
1853
British Institution ​
no.  383 Evangeline
"Thus did Evangeline wait at her father's door." (Longfellow)
 4 February
1854
British Institution ​
no. 205 A Curious Page on St. Valentine's Day (aka A Fashionable Couple) ​
  1 May
1854
Royal Academy ​
no. 425 The Governess 
"Ye, too, the friendless, yet dependent, that find nor home, nor lover. Sad imprisoned hearts, captive to the net of circumstance." (Martin Tupper, Proverbial Philosphy)
 1854
Birmingham ​
A Curious Page on St. Valentine's Day (aka A Fashionable Couple) ​
 1854
Manchester ​
The Governess ​
  7 May
1855
Royal Academy ​
no. 1360 The Story of Balaclava
"Wherein he spoke of most disastrous chances." (Shakespeare) 
  5 May
1856
Royal Academy
no. 511 A Friend in Need 
"Drest in a little brief authority.
He plays such apish and fantastic tricks before high heaven
As make the angels weep." (Shakespeare)
 1857
Liverpool Academy
The Gambler
"'Tis better to be lowly born,
And range with humble livers with content,
Than to be pecked up in glistening grief,
And wear a golden sorrow." Shakespeare. 
  4 May
1857
Royal Academy
no. 27 "Tis better to be lowly born, 
And range with humble lovers in content,
Than to be perked up in glistening grief,
And wear a golden sorrow." (Shakespeare) ​
--
--
--
1858
Liverpool Society of Fine Arts
no. 707 Behind the Curtain
no. 708. Love Making in the Pyrenees
March
1858 
Society of British Artists (Suffolk St) ​
no. 502 Love-making in the Pyrenees ​
  3 May
1858
Royal Academy
no. 1094 Behind the Curtain ​

November
1858
6th Annual Winter Exhibition,     
Gambart's French Gallery 
 Spending a Sou
 April
1859
Flatou Collection
City Gallery (London) 
A Friend in Need ​
 2 May
1859
Royal Academy ​
no. 548 Love's Labour Lost ​
November
1859 
'7th Annual Winter Exhibition'
Gambart's French Gallery
no. 140 The Idle Student, or Reading for Pluck
no. 141 The Industrious Student, or Reading for Honours
 1860
Liverpool Society of Fine Arts ​
no. 400 Love's Labour Lost ​
 7 May
1860
Royal Academy
no. 269 Peg Woffington's Visit to Triplet
"if it was art, glory be to such art so worthily applied, and honour to such creatures as this, that come like sunshine into poor men's houses, and tune drooping hearts to daylight and hope!" (Charles Reade, Peg Woffington)
--
--

--
 6 May
1861
Royal Academy
no. 581 The Arrest of a Deserter ​
 October
1861
Liverpool Society of Fine Arts ​
No. 129 The Arrest of a Deserter ​
 November
1861
'9th Annual Winter Exhibition'
Gambart's French Gallery 
no. 90 The Appointment
no. 77 A Young Teacher
 1862
Birmingham ​
The Appointment ​
 1862
Liverpool Society of Fine Arts
 no. 354 Fugitive Royalists

 1862
Liverpool Academy

no. 206 A Young Teacher ​
​ 1 May
1862
International Exhibition, London ​
no. 449 Behind the Curtain
no. 767 Peg Woffington's Visit to Triplet ​
 5 May
1862
Royal Academy ​
no. 432 Fugitive Royalists
"One touch of nature makes the whole world kin." 
4 May
1863
Royal Academy
no. 668 Good Night ​
November
1863
'11th Annual Winter Exhibition' 
​
Gambart's French Gallery 
 Reflection ​
​ 2 May
1864
Royal Academy
​no. 502 Harry Esmond's Welcome to Walcote
"'Look, who comes here?' burst out Frank, with a laugh. "Tis Mistress Beatrix, with a new ribbon; I knew she would put one on as soon as she heard a captain was coming to supper." So, she came, holding her dress with one fair rounded arm, and her taper before her, tripping down the stair to greet Esmond." (Thackeray, History of Henry Esmond)
 October
1864
Liverpool Institution of Fine Art ​
no. 448 Harry Esmond's Welcome at Walcote ​
 1865
Crystal Palace ​
(Title Unknown) ​
 February
1865
Dudley Gallery ​
no. 221 Hypatia
no. 255 Prima Vera
no. 262 A Study ​
 1 May
1865
Royal Academy ​
no. 459 The Lion and the Mouse (aka Sweet Mercy is Nobility's True Badge)
no. 479 The Lion and the Mouse (aka The Plea)
(Note: no. 459 originally exhibited in 1856 RA as A Friend in Need)
 February
1866
British Institution ​
The Wounded Dove ​
 February
1866
Dudley Gallery ​
​ no. 242 The Wounded Dove
 November
1866
Gambart's Winter Exhibition ​
​Love's Disguise 
​ 6 May
1867
Royal Academy
no. 150 Heloise
no. 484 Giovannina - Roma ​
 Summer
1867
Exposition Universelle, Paris ​
no. 105 Pegg Woffington's Visit to Triplet ​
 August
1867
Manchester ​
The Lion and the Mouse (aka A Friend in Need)
The Wounded Dove ​
 November
1867
Dudley Gallery ​
In the Via Felice, Rome ​
 February
1868
Dudley Gallery ​
no. 147 Memories
"I cannot but remember that such things were;
And were most precious to me." (Shakespeare) 
​ Spring
1868
Birmingham ​
The Wounded Dove ​
​ June
1868
Leeds
no. 1314 Interlude to Clown's Duties (aka Behind the Curtain) ​
 November
1868
Dudley Gallery ​
​no. 24 A Study from Nature
"is she kind as she is fair?
For beauty lives with kindness;
Love doth to her eyes repair,
To help him of his blindness,
And, being helped, inhabits there."
no. 203 Helena (Shakespeare, All's Well that Ends Well) 
 3 May
1868
Royal Academy ​
​no. 785 Helena and Hermia
"O and is all forgot?
All school-days friendship, and childhood innocence.
We Hermia, like two artificial gods,
Have, with our needles, created both one flower;
Both on one sampler, sitting on one cushion,
As if our hands, our sides, and minds
Had been incorporate." (Shakespeare) 
 November
1869
Dudley Gallery
no. 57 Fra Francesco
no. 169 Fountain at Rome
​ Summer
1870
Crystal Palace ​
Beatrix welcoming Harry Esmond to Walcote (aka Harry Edmond's Welcome to Walcote) ​
November
1870 
Dudley Gallery ​
“Fille tendre, entends tu le ramage
De ces oiscaux qui célébrent leure feux?
Ils font redire à  l’êcho du ravage
Le Printemps fuit; hâtez vous d’être heureux.”
​October-November 
1871
Dudley Gallery ​
A Roman Peasant ​
 October-November
1872
Dudley Gallery ​
​no. 380 Rosalind
"Enter Rosalind with a paper, reading -
'From the east to western Ind
No jewel is like Rosalind;
All the pictures fairest lined
Are but black to Rosalind;
Let no face be kept in mind
But the fair of Rosalind." (Shakespeare, As You Like it)
 October -November
1873
Dudley Gallery ​
no. 359 Enoch Arden ​
1874
Manchester
Enoch Arden ​
 March
1874
Society of Lady Artists ​
​Spring Time, or Prima Vera
A Roman Peasant
Fra Francesco 
September
1874
Liverpool ​
Helena and Hermia
Spring Time, or Prima Vera ​
 1885

Whitechapel Fine Arts Exhibition (St Judes' School House, Commercial St) 
no. 123 The Clown Behind the Curtain (aka Behind the Curtain) ​

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Simeon Solomon Research Archive ©2000 - 2023
  • Home
  • About
    • About the SSRA
    • About Us
    • Acknowledgements
    • Citing this Site
    • Web Resources
  • Textual Sources
    • Literature by Solomon
    • Secondary Sources >
      • Secondary Sources 1858-1872
      • Secondary Sources 1873-1905
      • Secondary Sources 1906-1959
      • Secondary Sources 1960-1989
      • Secondary Sources 1990-1999
      • Secondary Sources 2000-2006
      • Secondary Sources 2007-present
    • Exhibition Reviews >
      • Exhibition Reviews 1858-1872
      • Exhibition Reviews 1873-1905
      • Exhibition Reviews 1906-1959
      • Exhibition Reviews 1960-1989
    • Exhibition Histories >
      • Exhibition History 1858-1872
      • Exhibition History 1873-1905
      • Exhibition History Aug 1905-2010
    • Documents Online
  • Images
    • Pre-1873 Artwork >
      • Artwork Early Sketchbooks from 1854
      • Artwork 1850s-1860
      • Artwork 1861-1865
      • Artwork 1866-1872
    • Post-1873 Artwork >
      • Artwork 1873-1880
      • Artwork 1881-1890
      • Artwork 1891-1895
      • Artwork 1896-1905
    • Undated Work
  • Essays
    • Simeon Solomon Biography
    • Dalziels' Bible Gallery
    • Abraham Solomon's Portrait of Wellington
    • Solomon's Vision
    • Solomon grave restoration ceremony
  • Rebecca & Abraham
    • Rebecca Solomon Biography
    • RS Artwork
    • RS Secondary Sources
    • RS Exhibition History
    • Abraham Solomon Biography
    • AS Secondary Sources
    • AS Exhibition History
    • AS Artwork >
      • AS Artwork 1840s
      • AS Artwork 1850s
      • AS Artwork 1860s
      • AS Artwork Undated
      • 1854-1855 First Class & Second Class