DATE |
LOCATION |
WORK SHOWN |
February 1850 |
British Institution |
copy of old master painting: title unknown |
22 March 1851 |
Society of British Artists (Suffolk St) |
no. 254 Teach me thy ways, O Lord-Psalms |
February 1852 |
British Institution |
no. 370 The Morning Call |
3 May 1852 |
Royal Academy |
no. 1055 Portrait of A. Solomon, Esq. |
October 1852 |
Royal Institution |
no. 77 The Young Model |
5 February 1853 |
British Institution |
no. 383 Evangeline "Thus did Evangeline wait at her father's door." (Longfellow) |
4 February 1854 |
British Institution |
no. 205 A Curious Page on St. Valentine's Day (aka A Fashionable Couple) |
1 May 1854 |
Royal Academy |
no. 425 The Governess "Ye, too, the friendless, yet dependent, that find nor home, nor lover. Sad imprisoned hearts, captive to the net of circumstance." (Martin Tupper, Proverbial Philosphy) |
1854 |
Birmingham |
A Curious Page on St. Valentine's Day (aka A Fashionable Couple) |
1854 |
Manchester |
The Governess |
7 May 1855 |
Royal Academy |
no. 1360 The Story of Balaclava "Wherein he spoke of most disastrous chances." (Shakespeare) |
5 May 1856 |
Royal Academy |
no. 511 A Friend in Need "Drest in a little brief authority. He plays such apish and fantastic tricks before high heaven As make the angels weep." (Shakespeare) |
1857 |
Liverpool Academy |
The Gambler "'Tis better to be lowly born, And range with humble livers with content, Than to be pecked up in glistening grief, And wear a golden sorrow." Shakespeare. |
4 May 1857 |
Royal Academy |
no. 27 "Tis better to be lowly born, And range with humble lovers in content, Than to be perked up in glistening grief, And wear a golden sorrow." (Shakespeare) |
-- |
-- |
-- |
1858 |
Liverpool Society of Fine Arts |
no. 707 Behind the Curtain no. 708. Love Making in the Pyrenees |
March 1858 |
Society of British Artists (Suffolk St) |
no. 502 Love-making in the Pyrenees |
3 May 1858 |
Royal Academy |
no. 1094 Behind the Curtain |
November 1858 |
6th Annual Winter Exhibition, Gambart's French Gallery |
Spending a Sou |
April 1859 |
Flatou Collection City Gallery (London) |
A Friend in Need |
2 May 1859 |
Royal Academy |
no. 548 Love's Labour Lost |
November 1859 |
'7th Annual Winter Exhibition' Gambart's French Gallery |
no. 140 The Idle Student, or Reading for Pluck no. 141 The Industrious Student, or Reading for Honours |
1860 |
Liverpool Society of Fine Arts |
no. 400 Love's Labour Lost |
7 May 1860 |
Royal Academy |
no. 269 Peg Woffington's Visit to Triplet "if it was art, glory be to such art so worthily applied, and honour to such creatures as this, that come like sunshine into poor men's houses, and tune drooping hearts to daylight and hope!" (Charles Reade, Peg Woffington) |
-- |
-- |
-- |
6 May 1861 |
Royal Academy |
no. 581 The Arrest of a Deserter |
October 1861 |
Liverpool Society of Fine Arts |
No. 129 The Arrest of a Deserter |
November 1861 |
'9th Annual Winter Exhibition' Gambart's French Gallery |
no. 90 The Appointment no. 77 A Young Teacher |
1862 |
Birmingham |
The Appointment |
1862 |
Liverpool Society of Fine Arts |
no. 354 Fugitive Royalists |
1862 |
Liverpool Academy |
no. 206 A Young Teacher |
1 May 1862 |
International Exhibition, London |
no. 449 Behind the Curtain no. 767 Peg Woffington's Visit to Triplet |
5 May 1862 |
Royal Academy |
no. 432 Fugitive Royalists "One touch of nature makes the whole world kin." |
4 May 1863 |
Royal Academy |
no. 668 Good Night |
November 1863 |
'11th Annual Winter Exhibition' Gambart's French Gallery |
Reflection |
2 May 1864 |
Royal Academy |
no. 502 Harry Esmond's Welcome to Walcote "'Look, who comes here?' burst out Frank, with a laugh. "Tis Mistress Beatrix, with a new ribbon; I knew she would put one on as soon as she heard a captain was coming to supper." So, she came, holding her dress with one fair rounded arm, and her taper before her, tripping down the stair to greet Esmond." (Thackeray, History of Henry Esmond) |
October 1864 |
Liverpool Institution of Fine Art |
no. 448 Harry Esmond's Welcome at Walcote |
1865 |
Crystal Palace |
(Title Unknown) |
February 1865 |
Dudley Gallery |
no. 221 Hypatia no. 255 Prima Vera no. 262 A Study |
1 May 1865 |
Royal Academy |
no. 459 The Lion and the Mouse (aka Sweet Mercy is Nobility's True Badge) no. 479 The Lion and the Mouse (aka The Plea) (Note: no. 459 originally exhibited in 1856 RA as A Friend in Need) |
February 1866 |
British Institution |
The Wounded Dove |
February 1866 |
Dudley Gallery |
no. 242 The Wounded Dove |
November 1866 |
Gambart's Winter Exhibition |
Love's Disguise |
6 May 1867 |
Royal Academy |
no. 150 Heloise no. 484 Giovannina - Roma |
Summer 1867 |
Exposition Universelle, Paris |
no. 105 Pegg Woffington's Visit to Triplet |
August 1867 |
Manchester |
The Lion and the Mouse (aka A Friend in Need) The Wounded Dove |
November 1867 |
Dudley Gallery |
In the Via Felice, Rome |
February 1868 |
Dudley Gallery |
no. 147 Memories "I cannot but remember that such things were; And were most precious to me." (Shakespeare) |
Spring 1868 |
Birmingham |
The Wounded Dove |
June 1868 |
Leeds |
no. 1314 Interlude to Clown's Duties (aka Behind the Curtain) |
November 1868 |
Dudley Gallery |
no. 24 A Study from Nature "is she kind as she is fair? For beauty lives with kindness; Love doth to her eyes repair, To help him of his blindness, And, being helped, inhabits there." no. 203 Helena (Shakespeare, All's Well that Ends Well) |
3 May 1868 |
Royal Academy |
no. 785 Helena and Hermia "O and is all forgot? All school-days friendship, and childhood innocence. We Hermia, like two artificial gods, Have, with our needles, created both one flower; Both on one sampler, sitting on one cushion, As if our hands, our sides, and minds Had been incorporate." (Shakespeare) |
November 1869 |
Dudley Gallery |
no. 57 Fra Francesco no. 169 Fountain at Rome |
Summer 1870 |
Crystal Palace |
Beatrix welcoming Harry Esmond to Walcote (aka Harry Edmond's Welcome to Walcote) |
November 1870 |
Dudley Gallery |
“Fille tendre, entends tu le ramage De ces oiscaux qui célébrent leure feux? Ils font redire à l’êcho du ravage Le Printemps fuit; hâtez vous d’être heureux.” |
October-November 1871 |
Dudley Gallery |
A Roman Peasant |
October-November 1872 |
Dudley Gallery |
no. 380 Rosalind "Enter Rosalind with a paper, reading - 'From the east to western Ind No jewel is like Rosalind; All the pictures fairest lined Are but black to Rosalind; Let no face be kept in mind But the fair of Rosalind." (Shakespeare, As You Like it) |
October -November 1873 |
Dudley Gallery |
no. 359 Enoch Arden |
1874 |
Manchester |
Enoch Arden |
March 1874 |
Society of Lady Artists |
Spring Time, or Prima Vera A Roman Peasant Fra Francesco |
September 1874 |
Liverpool |
Helena and Hermia Spring Time, or Prima Vera |
1885 |
Whitechapel Fine Arts Exhibition (St Judes' School House, Commercial St) |
no. 123 The Clown Behind the Curtain (aka Behind the Curtain) |
|
This website was created by Dr Carolyn Conroy and Dr Roberto C. Ferrari, and is copyrighted by law. Images were reproduced with either the direct permission of the owners or via Creative Commons fair use - distribution rights for these works rests with the individuals who own the original work of art. All secondary source material reproduced here is protected by copyright with the author or publisher of the original source. The only exception to this rule are the items made available that are in the public domain. The rules of fair use apply if you wish to use any information from this site for non-profit educational purposes. See Citing this Site.
Simeon Solomon Research Archive ©2000 - 2023 |