Simeon Solomon Research Archive
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'Paintings and Drawings by the Late Simeon Solomon'
Baillie Gallery, 54 Baker St, London: 9 Dec 1905 - 13 Jan 1906

List of Works Shown

(no. 1) Cupid (1883)
(no. 2) Atlanta (1866)
(no. 3) Chanting the Gospels (1867)
(no. 4) Love Bleeding (1870)
(no. 5) Three Priests (1863)
(no. 6) Moses (1876)
(no. 7) Ruth and Naomi (1861)
(no. 8) The Lemon Seller (1876)
(no. 9) Cupid’s Playground (1883)
(no. 10) A Rabbi (1880)
(no. 11) The Prodigal Son (1863)
(no. 12) And Abraham Kissed the Lad (1863)
(no. 13) An Allegory (1857)
(no. 14) [unknown]
(no. 15) Zephyr (1887)
(no. 16) Suffer Little Children (1884)
(no. 17) The Eternal Sleep (1887)
(no. 18) A Study (1865)
(no. 19) Biondia (1876)
(no. 20) A Daugher of Judeae (1864)
(no. 21) Love Singing to Memory (1862)
(no. 22) Hebrew Maiden Lamenting (1871)
(no. 23) The Magic Crystal (1878)
(no. 24) Love and Death (1865-74)
(no. 25) Perseus, a Type of Temptation (1886)
(no. 26) A Votive Offering, (1863)
(no. 27) The Young Antinous (1884)
(no. 28) Scenes from the Life of David (1856)
(no. 29) A Hebrew Harpist
(no. 30) Crossing the Brook (1867)
(no. 31) Many Waters Cannot Quench Love (1895)
(no. 32) Study of a Head
(no. 32) Study of a Head
(no. 33) A Triptych (1893?)
  • (a)   Arise my Love, my Dove, my Spouse
  • (b)   For Love is Strong as Death
  • (c)    I Arise Up to Open to my Beloved
(no. 34) Love in Autumn (study) (1894)
(no. 35) Sir Galahad (1889)
(no. 36) A Grecian Priestess (1865)
(no. 37) Sir Galahad
(no. 38) A Portait
(no. 39) Abraham and Isaac
(no. 40) Carrying the Law (1856-75)
(no. 41) The Destroyer (1867)
(no. 42) Behold, the Bridegroom Cometh
(no. 43) Bacchus (1883)
(no. 45) Jepthah and his Daughter
(no. 46) The Pot of Basil (1885)
(no. 47) The Token
(no. 48) Mystical Union (1865)
(no. 49) Helen (1883)
(no. 50) Study of Heads (1888)
(no. 51) Et Lux in Tenebris Lucet (1888)
(no. 52) The Unappeased Desire (1887)
(no. 53) The Winged and Poppied Sleep (1883)
(no. 54) The Dawn (1887)
(no. 55) Cupid, from ‘Cupid and Psyche’
(no. 56) O, Salve Anita (1855)
(no. 57) Good-night (1861)
(no. 58) Amor dei (1883)
(no. 59) Hebrew Maiden (1874)
(no. 60) Study for ‘The Prodical Son’ (1857)
(no. 61) Ruth and Naomi
(no. 62) Nicodemus
(no. 63) La Figlinoglina degli Oleandri (1895)
(no. 64) Le Sieur René
(no. 65) Portrait of an Englishwoman
(no. 66) The Artist’s Mother
(no. 67) The Archangel Gabriel (1896)
(no. 68) Nirvana (1894)
(no. 69) Sintram (1885)
(no. 70) Christianity (1894)
(no. 71) The Medusa Head
(no. 72) Dawn and Twilight (1895)
(no. 73) Beatrice
(no. 74) Miriam
(no. 75) Dawn (1880)
(no. 76) The Avenging Angel (1895)
(no. 77) Reverie
(no. 78) Air (1866)
(no. 79) The Evening Star (1890)
(no. 80) Ophelia (1887)
(no. 81) The Angel of Death
(no. 82) The Awakened Conscience
(no. 83) Anima mea tristia est (1886)
(no. 84) Child with Apples (1881)
(no. 85) Immortal Love (1886)
(no. 85) Immortal Love (1887)
(no. 86) Maria foederis Arca (1896)
(no. 87) Eight Designs for the Song of Solomon
(no. 88) The Angel of Children (1895)
(no. 89) ‘Behold, this fair assemblage, stoles of snowy white, how numberless’, Vision of
             Dante, Paradiso Canto xxx
(no. 90) Memoria (1879)
(no. 91) Study of a Child (1887)
(no. 92) A vision (1888)
(no. 93) Ianthe (1885)
(no. 94) Angel of Fire (1896)
(no. 95) Gesthemanis sudor sanguines
(no. 96) Passionis Amoris fructus (1888)
(no. 97) Night and Her Child Sleep
(no. 98) Night and Morning
(no. 99) St. John
(no. 99) St. John (1894)
  • (d)   Arise my Love, my Dove, my Spouse
  • (e)    For Love is Strong as Death
  • (f)     I Arise Up to Open to my Beloved
(no. 100) Young Christabel
(no. 101) Diana and Endymion (1894)
(no. 102) St. Peter
(no. 103) Christ and Peter
(no. 104) Isabella (1897)
(no. 105) Hero
(no. 106) The Angel of Death (1896)
(no. 107) Dante in Exile (1895)
(no. 108) An Allegory
(no. 109) Speak, Lord, for Thy Servant heareth (1905)
(no. 110) My Love is a Rose among Thorns (1892)
(no. 111) Orestes
(no. 112) Angel of Death
(no. 113) A Vision of Wounded Love (1893)
(no. 114) Christ Kissing Moses
(no. 115) The Avenging Angel (1895)
(no. 116) Young Pan
(no. 117) Galatea
(no. 118) Six Panels forming a Screen
(no. 119) Love dying from the breath of Lust
(no. 120) Love Singing to Memory (1900)
(no. 121) Paolo and Francesca
(no. 122) Habet (an autotype)


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Simeon Solomon Research Archive ©2000 - 2023
  • Home
  • About
    • About the SSRA
    • About Us
    • Acknowledgements
    • Citing this Site
    • Web Resources
  • Textual Sources
    • Literature by Solomon
    • Secondary Sources >
      • Secondary Sources 1858-1872
      • Secondary Sources 1873-1905
      • Secondary Sources 1906-1959
      • Secondary Sources 1960-1989
      • Secondary Sources 1990-1999
      • Secondary Sources 2000-2006
      • Secondary Sources 2007-present
    • Exhibition Reviews >
      • Exhibition Reviews 1858-1872
      • Exhibition Reviews 1873-1905
      • Exhibition Reviews 1906-1959
      • Exhibition Reviews 1960-1989
    • Exhibition Histories >
      • Exhibition History 1858-1872
      • Exhibition History 1873-1905
      • Exhibition History Aug 1905-2010
    • Documents Online
  • Images
    • Pre-1873 Artwork >
      • Artwork Early Sketchbooks from 1854
      • Artwork 1850s-1860
      • Artwork 1861-1865
      • Artwork 1866-1872
    • Post-1873 Artwork >
      • Artwork 1873-1880
      • Artwork 1881-1890
      • Artwork 1891-1895
      • Artwork 1896-1905
    • Undated Work
  • Essays
    • Simeon Solomon Biography
    • Dalziels' Bible Gallery
    • Abraham Solomon's Portrait of Wellington
    • Solomon's Vision
    • Solomon grave restoration ceremony
  • Rebecca & Abraham
    • Rebecca Solomon Biography
    • RS Artwork
    • RS Secondary Sources
    • RS Exhibition History
    • Abraham Solomon Biography
    • AS Secondary Sources
    • AS Exhibition History
    • AS Artwork >
      • AS Artwork 1840s
      • AS Artwork 1850s
      • AS Artwork 1860s
      • AS Artwork Undated
      • 1854-1855 First Class & Second Class