'Paintings and Drawings by the Late Simeon Solomon'
Baillie Gallery, 54 Baker St, London: 9 Dec 1905 - 13 Jan 1906
List of Works Shown
(no. 1) Cupid (1883)
(no. 2) Atlanta (1866)
(no. 3) Chanting the Gospels (1867)
(no. 4) Love Bleeding (1870)
(no. 5) Three Priests (1863)
(no. 6) Moses (1876)
(no. 7) Ruth and Naomi (1861)
(no. 8) The Lemon Seller (1876)
(no. 9) Cupid’s Playground (1883)
(no. 10) A Rabbi (1880)
(no. 11) The Prodigal Son (1863)
(no. 12) And Abraham Kissed the Lad (1863)
(no. 13) An Allegory (1857)
(no. 14) [unknown]
(no. 15) Zephyr (1887)
(no. 16) Suffer Little Children (1884)
(no. 17) The Eternal Sleep (1887)
(no. 18) A Study (1865)
(no. 19) Biondia (1876)
(no. 20) A Daugher of Judeae (1864)
(no. 21) Love Singing to Memory (1862)
(no. 22) Hebrew Maiden Lamenting (1871)
(no. 23) The Magic Crystal (1878)
(no. 24) Love and Death (1865-74)
(no. 25) Perseus, a Type of Temptation (1886)
(no. 26) A Votive Offering, (1863)
(no. 27) The Young Antinous (1884)
(no. 28) Scenes from the Life of David (1856)
(no. 29) A Hebrew Harpist
(no. 30) Crossing the Brook (1867)
(no. 31) Many Waters Cannot Quench Love (1895)
(no. 32) Study of a Head
(no. 32) Study of a Head
(no. 33) A Triptych (1893?)
(no. 35) Sir Galahad (1889)
(no. 36) A Grecian Priestess (1865)
(no. 37) Sir Galahad
(no. 38) A Portait
(no. 39) Abraham and Isaac
(no. 40) Carrying the Law (1856-75)
(no. 41) The Destroyer (1867)
(no. 42) Behold, the Bridegroom Cometh
(no. 43) Bacchus (1883)
(no. 45) Jepthah and his Daughter
(no. 46) The Pot of Basil (1885)
(no. 47) The Token
(no. 48) Mystical Union (1865)
(no. 49) Helen (1883)
(no. 50) Study of Heads (1888)
(no. 51) Et Lux in Tenebris Lucet (1888)
(no. 52) The Unappeased Desire (1887)
(no. 53) The Winged and Poppied Sleep (1883)
(no. 54) The Dawn (1887)
(no. 55) Cupid, from ‘Cupid and Psyche’
(no. 56) O, Salve Anita (1855)
(no. 57) Good-night (1861)
(no. 58) Amor dei (1883)
(no. 59) Hebrew Maiden (1874)
(no. 60) Study for ‘The Prodical Son’ (1857)
(no. 61) Ruth and Naomi
(no. 62) Nicodemus
(no. 63) La Figlinoglina degli Oleandri (1895)
(no. 64) Le Sieur René
(no. 65) Portrait of an Englishwoman
(no. 66) The Artist’s Mother
(no. 67) The Archangel Gabriel (1896)
(no. 68) Nirvana (1894)
(no. 69) Sintram (1885)
(no. 70) Christianity (1894)
(no. 71) The Medusa Head
(no. 72) Dawn and Twilight (1895)
(no. 73) Beatrice
(no. 74) Miriam
(no. 75) Dawn (1880)
(no. 76) The Avenging Angel (1895)
(no. 77) Reverie
(no. 78) Air (1866)
(no. 79) The Evening Star (1890)
(no. 80) Ophelia (1887)
(no. 81) The Angel of Death
(no. 82) The Awakened Conscience
(no. 83) Anima mea tristia est (1886)
(no. 84) Child with Apples (1881)
(no. 85) Immortal Love (1886)
(no. 85) Immortal Love (1887)
(no. 86) Maria foederis Arca (1896)
(no. 87) Eight Designs for the Song of Solomon
(no. 88) The Angel of Children (1895)
(no. 89) ‘Behold, this fair assemblage, stoles of snowy white, how numberless’, Vision of
Dante, Paradiso Canto xxx
(no. 90) Memoria (1879)
(no. 91) Study of a Child (1887)
(no. 92) A vision (1888)
(no. 93) Ianthe (1885)
(no. 94) Angel of Fire (1896)
(no. 95) Gesthemanis sudor sanguines
(no. 96) Passionis Amoris fructus (1888)
(no. 97) Night and Her Child Sleep
(no. 98) Night and Morning
(no. 99) St. John
(no. 99) St. John (1894)
(no. 101) Diana and Endymion (1894)
(no. 102) St. Peter
(no. 103) Christ and Peter
(no. 104) Isabella (1897)
(no. 105) Hero
(no. 106) The Angel of Death (1896)
(no. 107) Dante in Exile (1895)
(no. 108) An Allegory
(no. 109) Speak, Lord, for Thy Servant heareth (1905)
(no. 110) My Love is a Rose among Thorns (1892)
(no. 111) Orestes
(no. 112) Angel of Death
(no. 113) A Vision of Wounded Love (1893)
(no. 114) Christ Kissing Moses
(no. 115) The Avenging Angel (1895)
(no. 116) Young Pan
(no. 117) Galatea
(no. 118) Six Panels forming a Screen
(no. 119) Love dying from the breath of Lust
(no. 120) Love Singing to Memory (1900)
(no. 121) Paolo and Francesca
(no. 122) Habet (an autotype)
(no. 2) Atlanta (1866)
(no. 3) Chanting the Gospels (1867)
(no. 4) Love Bleeding (1870)
(no. 5) Three Priests (1863)
(no. 6) Moses (1876)
(no. 7) Ruth and Naomi (1861)
(no. 8) The Lemon Seller (1876)
(no. 9) Cupid’s Playground (1883)
(no. 10) A Rabbi (1880)
(no. 11) The Prodigal Son (1863)
(no. 12) And Abraham Kissed the Lad (1863)
(no. 13) An Allegory (1857)
(no. 14) [unknown]
(no. 15) Zephyr (1887)
(no. 16) Suffer Little Children (1884)
(no. 17) The Eternal Sleep (1887)
(no. 18) A Study (1865)
(no. 19) Biondia (1876)
(no. 20) A Daugher of Judeae (1864)
(no. 21) Love Singing to Memory (1862)
(no. 22) Hebrew Maiden Lamenting (1871)
(no. 23) The Magic Crystal (1878)
(no. 24) Love and Death (1865-74)
(no. 25) Perseus, a Type of Temptation (1886)
(no. 26) A Votive Offering, (1863)
(no. 27) The Young Antinous (1884)
(no. 28) Scenes from the Life of David (1856)
(no. 29) A Hebrew Harpist
(no. 30) Crossing the Brook (1867)
(no. 31) Many Waters Cannot Quench Love (1895)
(no. 32) Study of a Head
(no. 32) Study of a Head
(no. 33) A Triptych (1893?)
- (a) Arise my Love, my Dove, my Spouse
- (b) For Love is Strong as Death
- (c) I Arise Up to Open to my Beloved
(no. 35) Sir Galahad (1889)
(no. 36) A Grecian Priestess (1865)
(no. 37) Sir Galahad
(no. 38) A Portait
(no. 39) Abraham and Isaac
(no. 40) Carrying the Law (1856-75)
(no. 41) The Destroyer (1867)
(no. 42) Behold, the Bridegroom Cometh
(no. 43) Bacchus (1883)
(no. 45) Jepthah and his Daughter
(no. 46) The Pot of Basil (1885)
(no. 47) The Token
(no. 48) Mystical Union (1865)
(no. 49) Helen (1883)
(no. 50) Study of Heads (1888)
(no. 51) Et Lux in Tenebris Lucet (1888)
(no. 52) The Unappeased Desire (1887)
(no. 53) The Winged and Poppied Sleep (1883)
(no. 54) The Dawn (1887)
(no. 55) Cupid, from ‘Cupid and Psyche’
(no. 56) O, Salve Anita (1855)
(no. 57) Good-night (1861)
(no. 58) Amor dei (1883)
(no. 59) Hebrew Maiden (1874)
(no. 60) Study for ‘The Prodical Son’ (1857)
(no. 61) Ruth and Naomi
(no. 62) Nicodemus
(no. 63) La Figlinoglina degli Oleandri (1895)
(no. 64) Le Sieur René
(no. 65) Portrait of an Englishwoman
(no. 66) The Artist’s Mother
(no. 67) The Archangel Gabriel (1896)
(no. 68) Nirvana (1894)
(no. 69) Sintram (1885)
(no. 70) Christianity (1894)
(no. 71) The Medusa Head
(no. 72) Dawn and Twilight (1895)
(no. 73) Beatrice
(no. 74) Miriam
(no. 75) Dawn (1880)
(no. 76) The Avenging Angel (1895)
(no. 77) Reverie
(no. 78) Air (1866)
(no. 79) The Evening Star (1890)
(no. 80) Ophelia (1887)
(no. 81) The Angel of Death
(no. 82) The Awakened Conscience
(no. 83) Anima mea tristia est (1886)
(no. 84) Child with Apples (1881)
(no. 85) Immortal Love (1886)
(no. 85) Immortal Love (1887)
(no. 86) Maria foederis Arca (1896)
(no. 87) Eight Designs for the Song of Solomon
(no. 88) The Angel of Children (1895)
(no. 89) ‘Behold, this fair assemblage, stoles of snowy white, how numberless’, Vision of
Dante, Paradiso Canto xxx
(no. 90) Memoria (1879)
(no. 91) Study of a Child (1887)
(no. 92) A vision (1888)
(no. 93) Ianthe (1885)
(no. 94) Angel of Fire (1896)
(no. 95) Gesthemanis sudor sanguines
(no. 96) Passionis Amoris fructus (1888)
(no. 97) Night and Her Child Sleep
(no. 98) Night and Morning
(no. 99) St. John
(no. 99) St. John (1894)
- (d) Arise my Love, my Dove, my Spouse
- (e) For Love is Strong as Death
- (f) I Arise Up to Open to my Beloved
(no. 101) Diana and Endymion (1894)
(no. 102) St. Peter
(no. 103) Christ and Peter
(no. 104) Isabella (1897)
(no. 105) Hero
(no. 106) The Angel of Death (1896)
(no. 107) Dante in Exile (1895)
(no. 108) An Allegory
(no. 109) Speak, Lord, for Thy Servant heareth (1905)
(no. 110) My Love is a Rose among Thorns (1892)
(no. 111) Orestes
(no. 112) Angel of Death
(no. 113) A Vision of Wounded Love (1893)
(no. 114) Christ Kissing Moses
(no. 115) The Avenging Angel (1895)
(no. 116) Young Pan
(no. 117) Galatea
(no. 118) Six Panels forming a Screen
(no. 119) Love dying from the breath of Lust
(no. 120) Love Singing to Memory (1900)
(no. 121) Paolo and Francesca
(no. 122) Habet (an autotype)
